Trans* Opera

Die Trans* Opera inszeniert in der Architektur des HKW persönliche Erfahrungen von Ablehnung und Verzweiflung, aber auch Neugierde und Kreativität der Mitwirkenden und ihren nicht-binären und Trans*-Körpern. Die Performance erforscht neben kolonisierten Körpern auch stimmliche und performative Praxen von Menschen, die zwischen Gender-Identitäten wechseln.

“My body and voice are all that I have. It's inside my guts as I am to you. If you want it too, if you are to me as I am to you. We'll head up ahead joining forces to move. I look for my peers, all different girls complementing tones, fortifying pitch, multifying voices and colors to queer. I want to build bridges, collections of thoughts, travestis empowered, libidos and more. Reincarnating our goddesses, those ones who've been gone, almost all killed cold blooded by ignorant man kind. We're hybrid and witches, we chanting our songs with our bitches ancestors, travesties empowered. An army of shouts, the guns will be us, all mermaids, all girls, while swaying our tails. Attacking the norms, transitioning words, putting spells to transform, confusing the sound.”
- Auszug aus der Trans* Opera

Mavi Veloso feat. Dynno Dada, Sanni Est & Tina Escarlatina

Im Anschluss:
DJ-Set von Educated Body

Ein Projekt von Mavi Veloso

Kreation & Performance
Dynno Dada, Mavi Veloso, Sanni Est, Tina Escarlatina

Kostüm
Gustavo Silvestre, Dynno Dada, Tina Escarlatina

Darsteller*innen in anderen Versionen
Grupo MEXA.

Musik
He Didn’t Like My Femme & If I Was A Reach Girl by Dynno Dada
Puro by Mavi Veloso & Glenn Ryszko
Tinder Match by Sanni Est
Prisioneira do Amor by Élcio Decário, performed by Rita Lee, lipsync by Tina Escarlatina