Talk
Parapolitics: Cultural Freedom and the Cold War
Biennale (2008). To the the biography Nida Ghouse
Director at Arko Art Center, Seoul (2014‒15), and a co-curator of the 7th Gwangju Biennale (2008). Her
Lecture
“Misfits”: Pages from a loose-leaf modernity
Venice Biennale.

Concerts
Wassermusik: Desert
he wrote the soundtrack for the first Central Asian pavillion at the Venice Biennale. He has also

Ape Culture
(selection): Lyon Biennale (2015); Painting Forever! Keilrahmen, KW Institute for Contemporary Art, Berlin

Ape Culture
); Shape of the Ape, Andrew Kreps Gallery, New York (2007). Group exhibitions (selection): Lyon Biennale

Ape Culture
exhibitions (selection): Lyon Biennale (2015); Painting Forever! Keilrahmen, KW Institute for Contemporary Art

Screening, Conversation
Salon of Aesthetic Experiments / Graduale 14
and the 4th Athens Biennale (2013).
The group has been enlarged at the occasion of QF4, November 2013

Installations
In Transit 08
commissioned by the Sharjah Biennale in 2006, a women dressed in black can be seen against the background of a
INSTAR – Instituto de Artivismo Hannah Arendt, Havana #Feralizing in co-production with Biennale Warszawa
Congress, Exhibition, Film Program, Seminar
Other events 2010
first time after a presentation at the Taipei Biennale with more than 60 works from the collection of
Venice Biennale (2015) and in Documenta 12 (2007). In 2009 he was awarded the Marcel Duchamp Prize. Inke

Exhibition
transmediale.10 - Futurity now!
Zilvinas Kempinas, who represented Lithuania at the 2009 Venice Biennale and A Parallel Image, an
) A project in cooperation with the 4th Moscow Biennale of Contemporary Art 2011. A project in

to the First Arab Biennial in Baghdad (1974) and the Venice Biennale of 1976 have uncovered other

China – Between Past and Future
was commissioned for the 50th Biennale in Venice.

Art Without Death: Russian Cosmism
important international exhibitions like documenta X and the 49th and 50th Venice Biennale, Nicolai’s works

Films and Exhibition
Dream and Trauma
Festival and the Venice Biennale. Roig was followed by the short films and TV films Gusto (Taste, 1996

Re Asia
a section of the Gwangju Biennale in South Korea in 2006. In their Curatorial Statement they write

China – Between Past and Future
50th Biennale in Venice in 2004, he presented the San Yuang Li project, which portrays a ‘village in