Panel III: Lament and Glory

Welcome to the world’s most violent game —without meaning, rules or scores. A remote-controlled bomb hits its target, an audio-visual machine of images, beats, bass-heavy apocalyptic dubs and voices drives the prism of Deleuzian control societies.

War as the ultimate inspiration: The “noise makers” of the Italian Futurists aspired to bring the noise of battle onto the concert stage.

Welcome to the world’s most violent game —without meaning, rules or scores. A remote-controlled bomb hits its target, an audio-visual machine of images, beats, bass-heavy apocalyptic dubs and voices drives the prism of Deleuzian control societies.

Musical remembrance and electro-acoustic sound research: The composition draws on Vietnamese revolutionary songs from the time of the anti-colonial independence movement and anti-US war songs.