Encounters Daniela Agostinho Falling Is Not Collapsing Marwa Arsanios Errata in Retro-Prospect Ariella Aïsha
inventions were not the Hero’s spear but rather a basket of wild oats, a medicine bundle, a story. Ursula K
Staring Emmy Straight in the Eye—And Doing My Best Not to Flinch Douglas R. Hofstadter The Sound Dreams
that narrativization need not entail a reduction of complexity.
not wish to be a good girl, and so, with ferocious wrath, endangers her marriage and herself to the
and 30 minutes) are in German if not stated otherwise. Soundtracks in cooperation with Schlesische27
flight from bondage, however, does not earn him freedom. Rather, he finds himself in an absurd, liminal
requirements. However, the buildings, the sites of learning and teaching, will probably not change so quickly
Author: Can Xue Can Xue’s family fell victim to the Cultural Revolution and she was not allowed to
inventions were not the Hero’s spear but rather a basket of wild oats, a medicine bundle, a story. Ursula K
Encounters Daniela Agostinho Falling Is Not Collapsing Marwa Arsanios Errata in Retro-Prospect Ariella Aïsha
Staring Emmy Straight in the Eye—And Doing My Best Not to Flinch Douglas R. Hofstadter The Sound Dreams
occident. The Kreuztanbul Festival plays an important role not only in presenting the creativity of the
? The concept of “power of, by, and for the people” not only challenges and is challenged by an extended
established, but not solved in a controlled way. Is humanity as stable and rational as some control scenarios

China – Between Past and Future
are of existential importance not only for the politics of memory, but also - and above all else - for (...)
cultures, for such notions are of existential importance not only for the politics of memory, but also
interest does not necessarily coincide with the common good. The difference between a static and rhetorical

Dance
IN TRANSIT 06
watching war and violence. This work reaches the heights of physical intensity, for the nine dancers do not

Demonstration
A Matter Theater
production and praxis, but unworking, use, becoming-with; which does not separate the vital and reproductive
Panel
transmediale 2015
the world according to the ideas of the ruling elite. The modern artist does not like to be