translation and numbered by hand, accompanies the exhibition Sentiments, Signes, Passions. Also available:
heritage of the United States, but also for African American musical culture. Blues, jazz, funk, rock ’n
established voices. Exclusion mechanisms and assumptions regarding race, class and gender, but also space and
translation and numbered by hand, accompanies the exhibition Sentiments, Signes, Passions. Also available:
division at HKW not only accompanies exhibitions, but also develops its own projects. It focuses on topics
Universität Berlin/Rachel Carson Center for Environment and Society, Munich). See also the Campus seminar
Zalasiewicz (Department of Geology, University of Leicester). See also the Campus seminar on “Technosphere

Brasil: Copa da Cultura
, however, but also as a spiritual one. On one of their new CDs, they also play a “Trilogy for Krishna

Reading
Brasil: Copa da Cultura
poets. Macau, the former Portuguese colony in China, is also a metaphor for Britto’s art and his (...)
one of Brazil’s cult poets. Macau, the former Portuguese colony in China, is also a metaphor for

Reading
Brasil: Copa da Cultura
69 episodes or chapters, all set in a single day. It also contains newspaper articles, menus

Concerts
Free! Music
deal from Polish village musicians. However, their avant-garde take on traditional compositions also

Film
2 or 3 Tigers
fell into the South China Sea and formed Vietnam’s curving ‘S’ shaped coastline. Legend also has it

Symposium
Digital Hate
, algorithms are also increasingly being used in the context of content moderation to automatically detect
Keynote, panel
100 Years of Copyright
actually earns money with it? Do the interests of the music industry also correspond to those of the
exploitation of the Viceroyalty of Peru. The exhibit shows that not only commodities but also images, material
: Édouard Glissant series of events also dovetails with the festival Wassermusik 2011, which takes place
Keynote, Lecture and Sound Performance
A Journey of Ideas Across
Berlin and works as an artist also in public space. She collaborated wit international artists such as
stood not only for the aesthetic project of modernism, but also for social modernity and the shift to a
in Dakar. Kouoh is also curator of the education program at 1:54 Contemporary African Art Fair in
under which large parts of Russian society are also suffering, and against which Russian artists