Konferenz
re:place
The Second International Conference on the Histories of Media, Art, Science and Technology
re:place 2007 is an international forum for the presentation and the discussion of exemplary approaches to the rapport between art, media, science and technology. With the title, 're:place', we propose a thematic focus on locatedness and the migration of knowledge and knowledge production in the interdisciplinary contexts of art, historiography, science and technology. re:place 2007 is a project of Kulturprojekte Berlin GmbH in cooperation with Haus der Kulturen der Welt. This conference is a sequel to 'Refresh!', the first in this series, chaired by Oliver Grau and produced by the Database of Virtual Art, Leonardo, and Banff New Media Institute, and held at the Banff Center in Canada in September 2005, which brought together several hundred artists, scientists, researchers, curators and theoreticians of different disciplines.
17 November, Saturday, 10-12.30h
Panel 7: Interdisciplinary Theory in Practice
Moderation: Sara Diamond (CA)
Christopher Salter (US/CA): Unstable Events: Performative Science, Materiality and Machinic Practices
Simone Osthoff (BR/US): Philosophizing in Translation: Vilem Flusser's Brazilian Writings
Karl Hansson (SE): Haptic Connections - On Hapticality and the History of Visual Media
Janine Marchessault (CA) / Michael Darroch (CA): Anonymous History as Methodology: The Collaborations of Sigfried Giedion, Jaqueline Tyrwhitt, and the Explorations Group (1951-53)
10.00-12.30
Panel 8: Place Studies: Russia / Soviet Union
Introduction/Moderation: Inke Arns (DE): The Avant-Garde in the Rear View Mirror
Olga Goriunova (RU): Cultural critique of technology in philosophy of technology and religious philosophy of early XX century
RussiaMargareta Tillberg (SE/DE): Cybernetics and Arts: The Soviet Group Dvizhenie (Movement) 1962-1972
Margarete Voehringer (DE): "Space, not Stones". Nikolai Ladovski's Psychotechnical Laboratory for Architecture, Moscow 1926
Irina Aristarkhova (RU/US): Stepanova's 'Laboratory'
14.30-17h
Panel 9: Cross-Cultural Perspectives
Moderation: Bernd Scherer (DE)
Sheila Petty (CA): African Digital Imaginaries
Cynthia Ward (US): Minding Realities: Geometries of Cultural Cognition
Erkki Huhtamo (FI/US): Intercultural Interfaces: Correcting the pro-Western Bias of Media History
Manosh Chowdhury (Bangladesh/JP): Can there be an 'Art History' in the South?: Myth of Intertextuality and Subversion in the Age of Media Art
14.30-17h
Panel 10: Cybernetic Histories of Artistic Practices
Moderation/introduction: Geoff Cox (UK): Software Art has No History
Christina Dunbar-Hester (US): Listening to Cybernetics: Music, Machines, and Nervous Systems, 1950-1980
David Link (DE): Memory for Love Letters. Computer Archaeology of a Very Early Program
Brian Reffin Smith (UK/DE): Hijack! How the computer was wasted for art
Kristoffer Gansing (SE): Humans Thinking Like Machines - Incidental Media Art in the Swedish Welfare StateGeneral
17.30-18.30h
Discussion
20h
Keynote 3: Lorrain Daston (Max Planck Institute for the History of Science, Berlin): Dreams of a Perfect Medium
more information at: mediaarthistory.org