
the surveillance state. Social inequalities are worsening. This is evident not only in the pandemic
Concerts
Unhuman Music (Unmenschliche Musik)
short-circuits John Cage’s “prepared piano” with modern mobile telephones. The installation is not only
Screening
transmediale 2013
In 1922, when moving from Munich to Berlin, Oskar Fischinger did not have any money, neither for a
of art that not only transcends borders, but also links renowned contemporary arts institutes, media
No other cultural region reveals such a wealth of continual textual traditions – and not only of
music, singing, dance and drama are not regarded separately, but have always been considered as equally

Theme Day
The Whole Earth
. 10:30 a.m.: Presentations and workshops for students and teachers (not open to the public) 3:00 p.m
Symposium
About Beauty
Bodily perfection is not an end in itself. People instrumentalise their bodies in order to become (...)
Bodily perfection is not an end in itself. People instrumentalise their
them are closely related to other experiences of guilt and obligation – with evidence not just of
questioned not only since the pandemic and the increased relocation of events to the digital space. Music
process not only of shaping the African novel of the twenty-first century, but also of breaking new ground
Human Rights is getting louder and includes not only a call for new rights but also the question of the
Meine Eltern / Alles nicht dein Eigen (My Parents: An Introduction / This Does Not Belong to You
, decided to not only focus on music which music lovers usually hate, e.g. “Schlager”, German folk music
Warburg largely ignored himself: that not only the ritual, but also the images of the ritual – to whose
contain shared knowledge, but cannot think, while participating individuals do not necessarily realize the
frontier, the borderland where law and order has to be renegotiated, or perhaps not?
cognitive. The role of the elements in a cycle, not their respective essence, is here of interest
Why Are We Here Now?
materialization of the railway project, paying attention to local reactions, which were not always in
Why Are We Here Now?
Express famous. Not only as a fictional crime scene, but also as a metaphor for cultural space, it was the