The Unforeseen
2019, Nov 16
Participatory art is more than art that invites participation. It relies on cooperation and dialog between all actors. So it’s about a kind of “re-literacy” of the understanding of art. But art, which sees itself not as a finished, material work, but as a collaborative process, eludes control.
Heba El Cheikh: Resilience – a Virtue or a Curse
Moderated by Alia Rayyan Lecture, discussion, Nov 16, 2019
Nitasha Dhillon, Amin Husain: From Institutional Critique To Institutional Liberation: A Decolonial Perspective on the Crises of Contemporary Art
English original version Lecture, Nov 16, 2019
Ines Kleesattel: To Risk Response-Ability – Listening to not quite so much Authorized Stories
Introduction: Beate Söntgen Moderated by Holger Kuhn Lecture, discussion, Nov 16, 2019
Monica Juneja: Have You Ever Touched the River?
Relational Art Practice between the Metropolitan and the Vernacular – Emplacement, Mutuality, Re-Materialization Moderated by Susanne Leeb English original version Lecture, discussion, Nov 16, 2019
Patrick Mudekereza: Knowledge Sharing in Art and Social Practices in the D. R. Congo
Moderated by Boaz Levin English original version Lecture, discussion, Nov 16, 2019
Nikita Dhawan: Aesthetic Agency and the Art of Decolonization
English original version Lecture, Nov 16, 2019
Maria Lind: Suggestion for the Day, The Silenty University and Six Moments in 1967
English original version Lecture, Nov 16, 2019
Alia Rayyan: Tania Bruguera – Presentation of “Immigration Movement International” and “10,148,451”
English original version Nov 16, 2019
Howard Caygill: Tania Bruguera and the Silence of Friends and of Enemies
English original version Lecture, Nov 16, 2019
Abschlussdiskussion | Das Unvorhergesehene (Englisch)
With Howard Caygill, Nikita Dhawan, Nitasha Dhillon, Amin Husain, moderated by Alia Rayyan, Ulli Vilsmaier English original version Nov 16, 2019
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