*** Haus der Kulturen der Welt: Forum1 Archive *** ----------------------------------------------------------------------- [Date]: Sun, 10 Oct 1999 23:14:04 +0200 [From]: Francisco Cordoba [To]: "Cultural Exchange via Internet" [Subject]: Art as a game Rome, October 10, 1999. Dear members of the forum, Hello everybody! I'm so glad that after Gerhard's statement in September so many more contributions came in. In spite of the lack of time and many activities to keep my art studio alive, I have followed every single contribution from the very beginning of the forum. It's so enriching and rewarding to finally read so many ideas, suggestions, project descriptions and so on. For those who still remember, when we were having strong arguments about a web exhibit, Leandro Katz once wrote that maybe this forum was in a way already an "exhibit". If his observation was then correct, maybe it is now when one can see such an "exhibit" at its best degree of development, since the interaction between many more members has finally knocked at the door. In two days the forum will reach its first year of existance. I believe that, if one takes a look at the forum members' statements, those who expressed so much concern about the use of internet can better realize now that internet is actually another tool. Our statements, the way they have been developped, the topics we have dealt with, our differences, similarities, agreements and disagreements totally reflect the societies (and the "globalized society") we live in: its good and bad aspects, its wealth and poverty, its goals for a democratic future and its tendency for higher explotation, higher consumption and exclusion. I feel the need to say "gracias" to Xavier, Raœl and Juan JosŽ for some of their last contributions and some of the topics they have written about. But I also must say "thank you" to Folake Shoga for her contribution on the 12th of May: "As a Black woman artist living in the U.K. and the mother of four children, I am already extremely preoccupied with other, vital activities. Yet art is as crucial to me as any of them, which it certainly would not be if it were primarily an academic activity. I believe art is as vital and important to the inner life of individuals and communities as religion, ritual, educational development, manners, and housekeeping! And that it takes place over as wide a range of sites, and in as many interlocking ways, as those other activities do. This is not a mere idealistic notion on my part but hard-won practical knowledge: it costs me, and most other artists that I know, a great deal materially, mentally and emotionally, to follow this profession, which is more like a compulsion." I meant to copy that part of her statement because I loved Juan JosŽ's text: "Art is a game we make the mistake of taking it seriously". As an "artist" (whatever that word can ever mean!) I need art as I need to breath. I need to live it, defend it, use it, struggle for it, love it, hate it, make mistakes for it, brake relationships for it. For me, as for Folake, it's so important for my inner life as to justify many kinds of sacrifices. Not that I think it should always be that way, but, in order to defend this need of "creating" it is well known that one is often obliged to "pay very high bills". I get the feeling of the "game" mentioned by Juan JosŽ every time I have the opportunity to create something. It's something which has to do with my freedom, with an enormous strength wich comes from inside. It's the capability, no matter how many imposed and self-imposed cultural barriers I must face, to free that energy (or need) which is inside. At the end of such a "game", after having succeeded (or not having succeeded) there will be a "product" or a "non-product". That is after having dealt with my own inner reality and with all the outside rules, tendencies, needs, fashions, discriminations against and power. Such a product sometimes reflects what my goals and purposes were at the very beginning. It sometimes doesn't. It's like an eternal race characterized by acceptance/non-acceptance, confirmation/disconfirmation, recognition/non-ricognition, approval/disapproval before myself and before the others. This "game", this tiny little magical moment of finding a balance in order to come out with an artistic "product" always belongs to the actual moment, to the "hic et nunc". It sometimes must face that there's no difference between the barriers inside myself and the barriers imposed by the outer world. This even leads me to my childhood in Costa Rica and to some aspects of our society then, when young boys better played soccer than paint. When girls were supposed to help cleaning the house instead of picking coffee beans. It leads me to my wish of living in Italy and "create my own way" and to the exclusions and discriminations against, among others, because of not copying Renaissance icons to make money, nor following the paths of the "Big Latin American Masters" (!) nor becoming a follower of some European art fashions. Yes, maybe the art game is so important that there are not too many other ways apart from taking it seriously. I'm so glad that we have been playing this game on democratic basis all these months and I hope that with the project mentioned by Gerhard about the links list it can be played together for many more months to come. In Italy, the 12th of October is celebrated only in Genoa, where Columbus was born. In Costa Rica it used to be called "Day of the Race" ("D’a de la Raza") (!!!!!). Now it is called "Day of Culture" ("D’a de la Cultura"), fortunately. Maybe, even if the intentions of the big internet powers are not the ones of reinforcing culture, we now are indeed celebrating an encounter of cultures. At least it is not with floods of blood like 507 years ago when Europeans started to conquer the American continent. And the game of art has to do with all this, absolutely. Best regards, Francisco C—rdoba ---- Francisco C—rdoba - via degli Zingari, 39 00184 ROMA - ITALIA- tl-fx (39) 06.47.43.286 www.cordoba.it - e-mail: cordoba@tin.it